BEAUTY AND TRUTH Movies,Culture & More
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Little Flower on the Big Screen by Tim Drake
How a Quaker came to play the part of St. Thérèse in a
major motion picture release. |
July 16, 2003 / Lindsay Younce never
expected to play Thérèse of Lisieux in a major motion picture.
Twenty-one-year-old Younce grew up in Vancouver,
Wash., in the Society of Friends (Quakers). In May 2001 she
entered the Catholic Church.
A graduate of Oregon’s
George Fox University, Younce has performed in approximately
15 plays. Her most recent role is as the star of St. Luke
Production’s motion picture Thérèse. The film will open in
theaters in October.
Younce spoke to Register features
correspondent Tim Drake about what it was like to portray a
saint.
Tell me about your family. I have
two older sisters and a younger brother. My father is a
carpenter and my mother is a high school teacher.
What first led you to the Church? I never
had any intention of becoming Catholic. When I was in high
school one of my friends was Catholic and he took me to Mass
once. We studied the Bible together and so I heard the
Catholic perspective from his point of view. It always
frustrated me and we got into arguments about it.
In
reading the history of the Society of Friends I was led to
read writings from the early Church Fathers. From there, I
continued to study Church history. I decided that if I were to
belong to a church, I was going to belong to a church that had
the same teachings as the early Church.
I was really
trying not to look into the Catholic Church, but oddly enough
I started reading the Catechism of the Catholic Church and to
my surprise — and somewhat dismay — I learned that the
Catechism had the same teachings as the early Church. Theology
hooked me first, but tradition and the Catholic culture
quickly roped me in after that.
How did your family
react to your conversion? Oh my. Fortunately my family
is very supportive of the decisions I make. They were upset
and asked me to wait until I had graduated from high school
and moved away from the house to convert. So I honored that
and waited. I came into the Church in May 2001.
How
did you first come to learn of St. Thérèse? In January
2000, St. Thérèse’s relics came to Vancouver, Wash. I knew
nothing about her before this. I was a senior in high school
and every morning before school I would attend Mass at St.
Joseph’s Catholic Church in Vancouver. One morning as I went
to Mass, I saw all these police cars and traffic.
When
I asked a police officer what was going on, he told me,
“Thérèse’s relics are here.” I walked into the Church and
it was packed. I got into a back pew and an older man named
Concepcion saw that I didn’t know what I was doing and coached
me through. When he saw that I wasn’t going up for Communion
he said, “You know that you can get a blessing, right?” He
stood by me and made sure that I went up to touch or kiss the
case that held Thérèse’s relics.
I remember walking
away and feeling something different. I wondered if this is
what people meant when they said that you receive graces from
coming into contact with relics. After that encounter, I
picked up a book on the wisdom of the saints that I had
purchased at a garage sale, and I read an excerpt from St.
Thérèse’s Story of a Soul. I was very struck by her wisdom.
Then I forgot about her until I auditioned for the film, but
she didn’t forget about me.
Originally, you
auditioned to play Thérèse’s sister Celine, didn’t you? How
did you end up getting the lead? I had been performing
a one-woman show at my high school about women in the life of
Jesus for my senior project. A man there suggested that I
contact St. Luke Productions. “They are doing a film and you
should see if you can get some experience,” he told me. So, I
called with the idea of helping out on the set. In April 2000,
they scheduled an audition.
Originally, I read the
part of Celine. A week after the audition, the casting
director called to say that they had lost the actress who was
going to play Thérèse and they wanted me to come back in and
read for the part of Thérèse. A few days after the audition
they gave me the role.
Was there an especially
memorable moment for you during filming? Most of the
crew did not profess to be religious in any way, so they went
about their business. On the day we filmed St. Thérèse’s death
scene, the set was silent. As she was dying she rose up in her
bed effortlessly and saw something. She said, “God, I love
you,” and fell back in the bed and died.
The script of
her death was written from her last conversations and so
everything that we were saying came from her mouth. She said
the most profound things. I will never forget how her words of
the Gospel and of God’s love impacted everyone.
What message do you think Thérèse has for the
young? Thérèse embodies the Scripture that speaks
about not allowing others to not take you seriously because
you are young. For Thérèse, no one believed she had a calling
to be a nun, except for her father. She knew at age 15 and she
died at age 24. She was young all of her life and yet had an
incredible devotion to God. She is a doctor of the Church.
The young feel as if they have no responsibilities.
They are given reasons for not having a lack of direction, and
when they do have a dream or a sense of God’s will they are
not taken seriously. That happened to Thérèse as well, but she
never gave up. At 17, I knew that I wanted to be Catholic but
was being told that I was too young to make that decision.
Thérèse, too, was told to wait to enter the convent, and the
wait was worth it. She waited patiently and didn’t get
discouraged.
In what ways has your portrayal of St.
Thérèse impacted your own faith? I knew a lot about
Catholic theology and Church history, but I didn’t know a lot
about saints, how Catholics perceive the relationship aspect
between God and man or how Catholics perceive the love of God.
Everything celestial that I understood came from my
Protestant background, but it has come to a fulfillment in
becoming Catholic. In reading what Thérèse wrote and
understanding her I came to a different understanding of how
we are to love others and how we are to love God. It’s been
very gradual, but I can see how my perception has changed
because of her.
Given your background, do you have
the sense that you were handpicked for the role? Yes,
increasingly more and more. All of us who were involved were
chosen. That’s a humbling feeling. Thérèse chose me to tell
her story and I realize that only God alone could give me the
grace to do so. No matter how much acting training one has,
it’s still a challenge to portray the life of such a woman.
The grace of God covers those moments.
What do you
have planned next? I acted throughout college and am
taking a short break. I’m beginning a master’s program for
teaching.
Tim Drake is editor of Catholic.net and
writes from St. Cloud, Minnesota.
*Reprinted with
permission
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